Threshold: The gate will close or the track gain will be attenuated when input approaches this value, according to the values in the. It is color-coded to reflect the selected band. The shaded area on the graphic display indicates how the filters are affecting the signal. Filter Type: There are five filter types: Bell, Hi-Pass (Low-cut), Low-Shelf, High-Shelf, and Low-Pass (Hi-cut). 
Variable Q for bells, and a 12 dB-per-octave response for shelf or pass filters. Each band offers 18 dB of boost or cut with
Gain: Drag vertically over the Gain knob or over a band marker to adjust gain. To turn a band on or off, click on the band On/Off button or double-click on the band marker. Band select: To select a band, click on a band marker in the graphic display or toggle through the bands with the Band ID button. The AudioTrack four-band EQ can be controlled with both parametric and graphic controls. It functions like the channel EQ and dynamics sections on a mixing console. The Link button sets this behavior.ĪudioTrack combines an EQ, Gate, and Compressor in a single plugin. Link: The L/R sides of a channel can be controlled together or independently. Ctrl/CMD + click on a marker in the graphic to Filter Type: Choose between bell, low or high shelf, low or high pass and proportional. Frequency: Adjust gain with the paragraphic knob or by moving a band marker sideways. Gain: Adjust the Gain knob vertically or drag vertically on a band marker to adjust gain. To turn a band in on or off, click on the parametric On/Off button or double-click on the marker. Band select: To select a band, click on a band marker in the graph or Band ID button in the parametric section. Input level: Adjusts the input to the EQ section. It provides very large Q values and large boosts andĬuts, so it is a very effective tool for surgically removing problematic harmonic noises. The Q10 is a multiband paragraphic equalizer that provides up to ten bands of flexible equalization. Set this based on how the signal will be exported, reproduced, and Domain: Sets how peaks will be measured and processed. 
Release: Sets the time it takes for gain adjustment to return to 0 when energy falls below the threshold.Shaping: Select between the three noise shaping options.Dither: This controls the Type of dithering process (i.e., Type1, Type2, or none).It is not related to the input bit depth.
Quantize: Controls the final bit depth of the L1 output.Auto release: Dynamically chooses the optimal release value for a wide-ranging input.Threshold: Sets the level at which the peak limiter will begin to act on the input signal.
Input fader: Controls input level of the plugin.Generally, L1 UltraMaximizer should be the last processor in your signal flow or workflow. L1 UltraMaximizer introduces between 64 and 96 samples of latency, depending on theĭomain setting. Level of the digital signal and the resolution of the final file. The Waves L1 UltraMaximizer combines an advanced peak limiter, a level maximizer, and a high-performance re-quantizer (IDR).
#Paragraphic eq license#
Waves Terms of Use: Read End User License Agreement Waves L1 Ultramaximizer If you switch to another device or can't find your items enabled in the Effect Rack, simply hit the Restore purchased button. Waves, the world’s leading manufacturer of effect processors celebrate their 25th anniversary and debut on iOS with a fine selection of pro-grade plug-ins - exclusively available through in-app purchases in Cubasis.Īny purchased item will be linked to your Apple ID.
0 kommentar(er)
